Sunday 26 August 2007

the wide field of livevisuals

After reading the comments to the last post I felt it might be good to chat a bit about the wide field of live visuals of which VJng is one possibility. As I have understood, VJtheory doesnt discuss only VJs playing at night clubs, but also visual music, live AV-sets, live cinema, etc.. If this is not the case, then i probably shouldnt be here to start with.

I also started as VJ, but then moved into live AV-sets, collaborations with musicians, theatre, etc... I think VJng in general is a good opportunity to experiment with images (as "noone" is normally watching and trying to analise your work ) But I remember one night standing amongst the audience in a drum'n'bass party watching someone's visuals: clips from chaplin's movies followed by clips from space odyssey followed by other clips endlessly etc... in a fast rhythm ... and i was wondering if these images had any connection in the mind of the vj ? why did he choose these images and not some others ? had he ever read about Eisensteins montage theory ? had he ever done any visual studies ? many questions crossed my mind while i was watching the visuals..

how ever long i watched those images, i couldnt figure it out, was there suppose to be somekind of random logic, a secret code to discover or not, but as i didnt figure out any message behind the choises of the Vj, the images soon appeared as noise and my mind didnt respond to them anymore, and i couldnt remember more images afterwards, all was erased, before even recorded, and in the end, this mix could have been done without the help of the vj. computers can make random mixes as well as people. What computers cant make out of a library of video clips, is somekind of story or meaning. Of course we all know that in the end, the meaning is built in the receiver's mind, nevertheless, if there is no meaning to start with, then the receiver will be wasting her time, right ?


the thing is, this particular VJ-show i just described would have been much better (from my point of view) if the vj would have put more thought into what he was doing ...why wouldnt he had just mix the clips in a way that would have been funny or interesting or give us food for thought or at least emotion.. i dont see any sense of mindless image bombing especially as these visual tools we have nowadays are so powerfull, that amazing, beautifull, mind blowing performances can be made with them ...



like many other vjs, i left the clubs and started to do live cinema/live AV/.... basically to be able to explore more these new possibilities and work better with audio and show the results to an audience which is actually watching. It is a different experience than VJng, as the audience is expecting much more if they are to watch and listen to something for 30 minutes. Still, it is not cinema and it will never be, as the whole structure is based on samples, not timeline.


the main interest is to create audiovisual experience which is not cinema, not vjng, but something inbetween, somekind of metanarrative poetic transformative event...i believe that visuals can work like a shiatsu massage for your eyes ... live visuals could make you laugh or cry and hopefully to go home remembering what had happened, at least bits of it.

this is what many live visuals artists are struggling towards...creating "new" visual narratives,aesthetics, etc...


i hope this post serves to open up a bit the discussion,towards realtime av, not just VJng.. sorry for the lenght ..